![]() The two volumes had been OCR’ed some time ago with poor luck, partly to do with the poor quality of the digitization used as source, partly with the lack of a suitable OCR software. This is a collection of texts on the theory of historiography in two volumes large part of the first volume is occupied by Bodin’s Methodus ad facilem historiae cognitionem. Recently I had the chance to work with a text of the Artis historicae penus, printed Basileae 1579. The artist, also called John Balechouse, a painter of hitherto uncertain origin worked for the Shrewsbury family at Chatsworth from no later than 1578 until after the death of Bess of Hardwick in 1608.This blog entry is about an attempt to use lemmatization (the software ‘Collatinus’) to recognize and isolate errors in the OCR of a 16th century print, and in some cases to reconstitute words separated by incorrectly recognized word borders. The Tarquins were later expelled by Lucius Junius Brutus, the legendary Roman hero, who established Republican government. ![]() She summoned her husband and friends, and, making them take an oath to drive out the Tarquins, plunged a knife into her heart. She was raped by Sextus Tarquinius, son of Lucius Tarquinius Superbus (the Proud) traditionally the 7th and last king of Rome (734-510 BC). Lucretia (6th century BC) was the Roman wife of L. The painting is not an original composition but represents the careful amalgamation of two woodcuts designed by Jost Amman for the Lutheran Bible published in Frankfurt in 1564: the arched structure on the extreme left and the group of soldiers were copied from Amman's illustration of the Triumph of Mordecai, in the Bible's Old Testamant (Esther 6), while the rest of the architecture including the stepped plinth and the brawling dogs were lifted from Amman's Nebuchadnezzar's Dreams, also in the Bible's Old Teastament (Daniel 2). Significantly, Lucretia was the subject of an appliqué wallhanging which still survives at Hardwick and Bess named her youngest daughter after the heroine. The figures wear contemporary sixteenth-century dress although the original story is related by the Roman historian Livy 1: 57-9 and alludes to Bess of Hardwick who had already begun by 1570 to represent herself to the frequently absent Earl of Shrewsbury as the virtuous wife diligently working at her embroideries. On a stepped courtyard in front of them are two dogs sniffing each other. She appears a second time, to right, through a massive arch, standing at her loom, on her left shoulder rests the hand of a Sextus Tarquinius in doublet and trunk-hose typical of the 1570s who stands beside her. ![]() He arrives at the arched entrance of a palace, inside which Lucretia is seen, through an arched window, centre left, seated and working at her loom by candlelight. On the left are Roman architectural elements and in the foreground, bottom left is L.Tarquinius Collatinus in armour and plumed helmet mounted on a white horse with his companions standing alongside on foot, also in armour with shields, spears and plumed helmets. ![]() Tarquinius Collatinus and his Companions to find his Wife Lucretia Weaving, attributed to Jehan Baleschoux (fl.1570 - d.c.1618), inscribed on entablature at upper left: 1570. Description The Unannounced Return by Night of L. ![]()
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